The sweatshirt rings in at ₤95 (or about $170), which is quite an investment in a world of $5 T-shirts, but cheap when amortized over three decades. Cridland’s mission puts ideology and function before fashion: “Fast fashion is damaging the environment, putting responsible brands out of business and ripping off consumers. We are fighting the corporations that are treating both clothing and those who make it as disposable by offering consumers something better: should anything happen to your garment in the next 30 years, we will repair or replace it free of charge.” The 30 Year Sweatshirt is designed by Tom Cridland. It is designed to last. Back here in Canada our guilt is piling up, quite literally. Canada’s own Value Village had a hit this year at the March round of Toronto fashion shows with a reworked vintage “eco” collection called VV by EB (for fashion designer Evan Biddell, the first Canadian Project Runway winner). The second-hand clothing chain has also produced what it calls a State of Reuse Report ( valuevillage.com/reusereport ) that says there are now 80 billion new items of clothing produced around the world each year. It breaks down some grim figures, to wit: each new pair of jeans costs 111 kilowatt hours of energy to create and up to 1,800 gallons of water. That figure comes from “The State of The Apparel Sector 2015 Special Report On Water.” Here in North America, we each threw away 81 pounds of clothing last year, despite the fact that 95 per cent of that could have been recycled. Much of this goes to landfill, a toxic proposal considering the components of many modern clothing dyes. In terms of creating a “reuse” habit, the men’s market is far ahead of women’s.
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Some Ideas On Crucial Issues Of
Shopping online can turn anyone into a robot. We log on, click through the prompts, scroll down, click again to checkout, enter the payment information, and hit confirm. Before you know it, you’ve purchased the one thing you intended to buy plus 10 other things, and have inadvertently maxed-out your credit card in the process. Even on the most engaging, well-conceived e-commerce sites, a shopper will, more often than not, succumb to this kind of rapid-fire digital retail. But what if our favorite online shopping destinations didn’t have those easy-to-navigate categories we’re all so used to? What if shopping online was made even easier—but more thought provoking—by the elimination of said categories all together? Now is the moment to consider such an idea, at a time when the gender lines that have long existed in the fashion business are slowly but surely diminishing. Just as designers are favoring unisex collections and shows, and department stores are experimenting with undivided floors, the online shopping segment is also experiencing the same movement toward a gender-free fashion space. There are a few pioneers currently making waves on the Web with their genderless shops; some that show women’s clothes modeled on men and vice versa, and others presenting one singular collection not divvied up into the traditional categories.
For the original version including any supplementary images or video, visit http://www.vogue.com/article/fashion-runway-gender-online-shopping
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